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Miguel La Corte

 
B. Caracas, Venezuela. 1999.

Music designer and programmer focused in researching and developing new instruments and experiences that address our modern digital condition.

His work has been presented within CTM Festival 2023 in Berlin, Goethe Institute Venezuela and within HKW Berlin, Centre Pompidou in Paris and CCCB in Barcelona through the Cultures d’avenir program. 

︎︎︎ About 

︎︎︎ Writings

︎︎︎ Projects




Miguel La Corte


B. Caracas, Venezuela. 1999.

Music designer and programmer focused in researching and developing new instruments and experiences that address our modern digital condition.

His work has been presented within CTM Festival 2023 in Berlin, Goethe Institute Venezuela and within HKW Berlin, Centre Pompidou in Paris and CCCB in Barcelona through the Cultures d’avenir program.


Writings



This essay propose Ensamble as a means to archive and express social and cultural history through rhythm, an essential element for understanding both self and society.



Proposing an alternative model of culture distribution in order to review and evolve our general understanding of creation. 


The Participative Audio Lab (PAL) initiative seeks to transform the current culture of closed creative control in music distribution by developing open source tools for participative music creation.


This essay reviews the possibilites and potential of networked instrumentation within our current cultural landscape.

It was presented within the context of the Participative Audio Lab (PAL)︎︎︎  inaugurating exhibition titled CC0 (Collective Control 0)︎︎︎ 


A chronological showcase of the different technological implementations that have defined our general interaction with music.

Parallel to this, a new model which seeks for the standardisation of a participative-based musical experience is proposed. Ultimately a range of possible outcomes from the standardisation of participative musical experiences are presented.