Miguel La Corte (b. Caracas, Venezuela. 1999) is a music producer, designer, developer and artist. His work focuses in composing new instruments that enable us to reflect on the potential and responsibility of our modern cybernated condition. 

His instruments, participative installations and research have been presented within CTM Festival 2023 in Berlin, Goethe-Institut Venezuela and within HKW Berlin, Centre Pompidou in Paris and CCCB in Barcelona through the Cultures d’avenir program. 

In parallel, he works as a freelance IDE (Innovation Design Engineer); Prototyping tools for learning, well-being, and creative expression in collaboration with EdTech/HealthTech enterprises, startups, universities, and clinics. 

︎︎︎ Projects

︎︎︎ Writings

︎︎︎ About 








Miguel La Corte (b. Caracas, Venezuela. 1999) is a music producer, designer and programmer. His work focuses on the effects of modern computing, electronic music and their interrelationship. 

His instruments, installations and research has been presented within CTM Festival 2023 in Berlin, Goethe Institute Venezuela and within HKW Berlin, Centre Pompidou in Paris and CCCB in Barcelona through the Cultures d’avenir program.

Parallel to this, he works as a freelance IDE (Innovation design engineer), specilaizing in EdTech and HealthTech projects.



About


Welcome to my online portfolio. This website showcases a timeline and trajectory of the projects that have shaped my current practice:


Research and Practice


As an artist, my work focuses on creating new music instruments which have been integrally design from the ground up to generate new perceptions towards our ability to create, new educational experiences, new forms of cross-culture communication and also a new reflection into our cybernetic condition.

In more detail, I aim to instrument a new conception of music that evolves around the potential of public and collective instrumentation:

    1. Public instrumentation design is the practice of directly instructing society with new perceptions towards emerging technologies. By designing instruments that freely and easily allow participants into the fundamental building blocks of these technologies, people can thus truly understand the potential and involving responsibilities of these.

    2. Collective instrumentation refers to creating instruments designed to enable multiple participants a distributed control over the creative process, enabling them to practice a new conception of creation as an open and collective system where cooperation and adaptation take center stage. 

That is the essential use of an instru-ment; to instruct ‘instruere’ the mind ‘mentis’ into a new state of perception.

Parallel to my artistic practice, I follow this premise on a prefessional level as an Innovation design engineer: I combine a strong knowledge of technological applications, as well as design and fast-prototyping methodologies, in order to implement solutions to important problems,  specializing in healthtech and education tech.


In my free time, I like to compose music, DJ, climb mountains and play football. 


Contact


TwitterEmail, Insta, Github, C.V.


Exhibitions, honors:


Internet Computer Protocol: Grant winner for the development of 900s, an Online AI-powered Interactive leanring platform.

Ensamble: Rythm audio installation at Carmen Araujo Art Gallery. Caracas, October - December. 2024.

Cultures d’Avenir 2023: Participating artist in 6 month research program held in collaboration between HKW in Berlin, CCCB in Barcelona and Centre Pompidou in Paris thanks to grant by OFAJ.

CTM Festival 2023: Grant winner for exhibition of CC0 Particpative installation in HAU2, Berlin.

Lab3: Consultant/member for research group focused on education development for blockchain-driven music applications. 2023 - 2024.

G.O.M.A 2024: Collective art exhibition at Hacienda la Trinidad. January - March 2024.

Goethe Institut Caracas: Participating artist in electronic music research/performance project. Caracas, 2022.

Holly+: First A.I. participative online algorithm (winner of Ars Electronica best artwork of 2022). Participating artist, 2021.


Workshops and talks offered:


Carmen Araujo Gallery: “Rhythm: the fundamental technology of communication”. Workshop focused in developing new methods of rhythm composition through personal music notation forms. Caracas, 13.11.2024.

Sala Mendoza - Digital Art Lab: Introduction to electronic music production through open source and freely accesible instruments. Caracas, 05.2024.

Bildüngsflugel NGO: Teaching young refugees German through Electronic Music production. Berlin, 10.2023. - 01.2024

CTM Festival ‘23 & Gothe Institute Caracas: Online workshop for kids from the community of San Blas, Petare. Berlin/Online - 09.02.23

Los Galpones: Basic elements of electroacoustic Pianos Restauration and restored pianos recital in collaboration with renowned Jazz musician Alfredo Naranjo. Caracas, 18.08.2024



Press


CCCB Barcelona - Artist page

Mirada Eclectica Magazine - Interview