Miguel La Corte is a music producer, designer, developer and artist. His work focuses in composing new instruments that enable us to reflect on the potential and responsibility of our modern cybernated condition. 

His instruments, participative installations and research have been presented within CTM Festival 2023 in Berlin, Goethe-Institut Venezuela and within HKW Berlin, Centre Pompidou in Paris and CCCB in Barcelona through the Cultures d’avenir program. 

In parallel, he works as a freelance IDE (Innovation Design Engineer); Prototyping tools for learning, well-being, and creative expression in collaboration with EdTech/HealthTech enterprises, startups, universities, and clinics. 

︎︎︎ Projects

︎︎︎ Writings

︎︎︎ About 








Miguel La Corte is a music producer, designer, developer and artist. His work focuses in composing new instruments that enable us to reflect on the potential and responsibility of our modern cybernated condition.

His instruments, participative installations and research have been presented within CTM Festival 2023 in Berlin, Goethe-Institut Venezuela and within HKW Berlin, Centre Pompidou in Paris and CCCB in Barcelona through the Cultures d’avenir program.

In parallel, he works as a freelance IDE (Innovation Design Engineer); Prototyping tools for learning, well-being, and creative expression in collaboration with EdTech/HealthTech enterprises, startups, universities, and clinics.


CC0: Installation at CTM Festival 2023
10.2022 - 02.2023

CC0 (Collective Control 0) is a system for live collective composition that operated in Berlin at HAU2 and also globally through the portal cc0.participativeaudiolab.com. It has been designed to enable distributed control for the public through low-barrier physical and digital instruments, allowing users to interact with and influence the system’s motion, sound, and structure directly.

On 31.01.23, after two months of collaborative development -Conceived and directed by Miguel La Corte- CC0 went live at the CTM Festival 2023. Public participants were invited to engage in a live, interdependent composition accessible both online and at HAU2 in Berlin.

The CC0 system consists of three instruments: “The Forum,” “Pendulum,” and “Pulse.” These were all built using a novel approach of web sockets with Max MSP/RNBO web target. 

CC0 represents a significant checkpoint of my ongoing practice in creating instruments for public collective composition and forms a key component of my research into alternative forms of digital music distribution. 

It is a system that proposes (on a technical and experiential level) a production-based process of collective creation as an alternative to standard, reproduction-based models of music distribution; a continuum of shared making—an instrument for a roomful of strangers.

CC0 was initiated thanks to support from the initiative »Prototyping Sonic Institutions« organised by Black Swan and CTM Festival 2022.


︎Project website 

︎Exhibition booklet

︎Project development process, learning outcomes and conclusions