Miguel La Corte
B. Caracas, Venezuela. 1999.
Music designer and programmer focused in researching and developing new instruments and experiences that address our modern digital condition.
His work has been presented within CTM Festival 2023 in Berlin, Goethe Institute Venezuela and within HKW Berlin, Centre Pompidou in Paris and CCCB in Barcelona through the Cultures d’avenir program.
Myriorama
est. 2016
Since 2016, I have been restoring abandoned electroacoustic Pianos found in Venezuela.
This project has since become a small Piano restauration/redesign company titled Myriorama.
It is a project intended to reflect on shared living environments (aka. living rooms) by designing and restoring the instruments and elements that define these spaces.
A focus has been thus set on restoring pianos as an essential way to redefine the living room.
Beyond piano restoration, future Myriorama projects include restoration manuals as well as furniture objects designed for remote-interconnected living environments.
︎Project website
︎Project development process, learning outcomes and conclusions
est. 2016
Since 2016, I have been restoring abandoned electroacoustic Pianos found in Venezuela.
This project has since become a small Piano restauration/redesign company titled Myriorama.
It is a project intended to reflect on shared living environments (aka. living rooms) by designing and restoring the instruments and elements that define these spaces.
A focus has been thus set on restoring pianos as an essential way to redefine the living room.
Beyond piano restoration, future Myriorama projects include restoration manuals as well as furniture objects designed for remote-interconnected living environments.
︎Project website
︎Project development process, learning outcomes and conclusions
